The Hollies Evolution Rarlab
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Contents • • • • • • • • • Album profile [ ] Like its predecessor,, this album features only songs written by group members,, and. Regeditx 3 0 Serial Season on this page. None of the songs on the album were selected for single or EP release in the UK. Drummer only played on three songs on the album due to and, as a result, he was substituted for by, and of. The album cover artwork was created by, with the psychedelic cover photo by, who is credited with creating the first truly psychedelic photograph for an album cover.
Ferris commented on the making of the album cover during a special signing of cover prints in 1997. They wanted to break from their 'Pop Beat' sound into something more psychedelic. So I listened to the music that they were recording at Abbey Road Studios, and got an image of them pushing through a membrane into 'the Psychedelic world', and so in summer of 1966 I took a studio shot of them pushing out their hands and the lead singer pointing through clear plastic. Over this I superimposed a shot of William Morris Art Nouveau wallpaper with an illustration and 'Love' lettering drawn by my girl friend Anke. This combination created the image of the Hollies 'pushing through to a new wave of music style and consciousness'. I worked with The Fool (lead by Simon Posthuma) on this, and they did the lettering, the back cover design and the group's costumes.
In 1978, reissued the stereo version of Evolution, along with and. The song 'Have You Ever Loved Somebody?' Was released earlier (in September 1966) both by and and as single a-sides. It was first released by on their album. Recording [ ] Evolution and its respective singles were recorded at 's studios in just six days spread over three months in early 1967, at the same time were recording.
The first session occurred on 11 January where 'When Your Lights Turned On', 'Have You Ever Loved Somebody' and the B-side 'All the World is Love' were completed. Work began on, but was not completed for, the eventual single 'On a Carousel'. That song was completed during the next session on 13 January along with the album track, 'Lullaby to Tim'. Two songs sung in Italian, 'Non Prego Per Me' and 'Devi Avere Fiducia in Me' (the former composed by and ), were also recorded on that day specifically for release as a single in Italy. The next session on 22 February was dedicated to two more songs meant specifically for release in Italy, 'We're Alive' and 'Kill Me Quick'. 'The Games We Play' as well as the -penned 'Schoolgirl' were also begun during this session. The bulk of album work took place in March on the 3rd, 8th and 17th.
'Schoolgirl' was attempted again on the 8th but was ultimately left unfinished for reasons unknown. The final songs recorded before the album's release in June were 'Carrie Anne' on 1 May and its B-side, 'Signs That Will Never Change', on the following day. Mono [ ] The stereo version of this album features a few tracks, but not all, in the 'instruments on one channel, vocals on the other' mixing style heard on earlier Hollies stereo albums. Tracks from this album used in later compilations are just as likely to be in mono as stereo. UK track listing [ ] All tracks composed by Graham Nash, Allan Clarke and Tony Hicks. Title Lead vocals Length 1. 'Then the Heartaches Begin' Clarke 2:48 2.
'Stop Right There' Nash 2:28 3. 'Water on the Brain' Clarke 2:27 4. 'Lullaby to Tim' Nash 3:04 5. 'Have You Ever Loved Somebody?' Clarke 3:04 6.
'You Need Love' Clarke and Nash 2:32 Side two No. Title Lead vocals Length 7. 'Rain on the Window' Clarke 3:16 8. 'Heading for a Fall' Clarke 2:23 9. 'Ye Olde Toffee Shoppe' Nash and Clarke 2:22 10. 'When Your Light's Turned On' Clarke and Nash 2:37 11.
'Leave Me' Clarke and Nash 2:30 12. 'The Games We Play' Clarke and Nash 2:46 US version [ ] Evolution by Released June 1967 Recorded 11 January – 17 March 1967 Studio, London, LN 24315 (Mono)/BN 26315 (Stereo) US chronology (1967) 1967 Evolution (1967) (1967) 1967 Canadian chronology (1967) 1967 Evolution (1967) Evolution1967 (1967) 1967 Evolution was also the name of The Hollies' debut album for their new US label,. But, like many American issues of British albums, this album was remixed using heavy echo and reverb. In addition, three songs were left off the album (with only 'Carrie Anne' added). The cover shown is the US/Canadian cover, which used the same Karl Ferris photograph but differed from the UK cover by dispensing with The Fool's overall cover design.